DJ Mondo accepts Pope’s tacit approval of everything he says and does. 

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To my surprise and great pleasure, I caught Pope Francis giving me the holy ‘thumbs up’ from a bookstore window on Michigan Avenue today.

Since the cardboard cutout is licensed by the Catholic Church, it undoubtedly represents the Holy Father’s approval of everything that passes by that section of street. I’m not sure if the Pontiff heard my tunes Scorched, The Pious DJ or Vulcan Sex Pinch, but I’ll accept his “Keep up the good work, Mondo.” with all the grace and humility that a secular cyborg DJ from the future can muster.

You’re welcome, Vatican.

 

 

Enough chest-beating, already. I’m sore.

Humans, much like the frilled lizard, often use attitude over substance to affect the perception of their relative size.

This is particularly apparent in an election year.

Anyway, check out this tune…

 

DJ Mondo gets the Heebie Jeebies, drops track.

I spent the weekend watching presidential campaign coverage.

There are people in the world that have no clue what they look or sound like. Or maybe they do know, but they don’t care. Or maybe they do care and their facade is meticulously orchestrated.

Anyway, it gave me the Willies and the Heebie Jeebies. I usually don’t get those at the same time.

Check out this track…

 

DJ Mondo makes a few notes for his acceptance speech.

It’s election year and DJ Mondo throws his do-rag into the ring in a bid to be the President of Techno-Funk.

Since no one else is running, he’ll probably get it.

Skull Island Sessions: DJ Mondo gets territorial.

A quirky track called (This is) Our City. Interesting in an age where humans are desperate to socialize, yet separate themselves from others with iron fences and layers of technology.

 

 

DJ Mondo works through his robot issues on Skull Island.

Here’s a sound sketch from the lab called ‘A Race of Robots’.

Somebody like Ken Burns needs to make a documentary series dedicated to just the fictional robots of popular culture. In most stories, they’re created by humans, but escape their intended role.

It should start with Evil Maria from ‘Metropolis’ (1927) and work up from there.

Comment and let me know if you like the tune.